Of course, it's most likely that Greene's old pal Peter Rowan recommended him, but Garcia had known Greene back in his bluegrass days. In the Feinberg interview, Greene says that he was asked to join Old And In The Way because Jerry Garcia wanted him in the band. This post will look at Richard Greene's musical history from 1964 to 1974, with a special emphasis on Greene's musical connections to Jerry Garcia during that time. Thus, with accurate information from Greene himself, it's possible to put his career with Old And In The Way and The Great American String Band in its proper context.

However, a recent interview with Richard Greene by scholar and radio personality Jake Feinberg unravels some interesting threads in the Greene story, particularly in his first ten years as a performer. Greene's role in Old And In The Way is usually glossed over as well, since his place was taken by the great Vassar Clements, and Vassar played on the group's seminal album. Greene's career has been full of so many recordings and performances that it has been hard to get a handle on it. Garcia's acoustic music, but he deserves a bigger place than he is Richard Greene isn't usually seen as a major contributor to Jerry Jerry Garcia was the group's initial banjo player, and that band evolved into the David Grisman Quintet, a seminal ensemble in American acoustic music. Greene left the group for financial reasons, but the next year he and David Grisman began the Great American String Band. Greene and Garcia had met back in 1964, and in 1973 Greene was invited to join the seminal bluegrass group Old And In The Way. Greene started playing professionally in 1964, and the first decade of his career had some critical intersections with Jerry Garcia.

Violinist Richard Greene is rightly regarded as a giant in American acoustic music of the last few decades.

(L-R) Richard Greene, Lamar Grier, Bill Monroe, Peter Rowan, James Monroe. A Dixon Smith photo of Bill Monroe and The Bluegrass Boys performing in 1966.

Torrent anne clark discography